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Original film title

Hi!I am currently writing my thesis on graphic design for film as well. Is there anywhere I could read your thesis?! Also, Guity! Your content is amazing! Thank you so much for posting about such topics and so extensively as well.

It’s impossible to tell exactly, but it’s likely that, having come out in 1962, Dr. No’s explosive style with the gunshot and the strong music influenced Saul Bass in return while he was designing the title sequence for Charade which came out the following year. Expanding on that thought, it’s possible that most opening sequences which start suddenly with a hard cut to a loud sound or riffing music now are a part of the Bond legacy.

Of course, it would be silly to dismiss the impact of the music on the power of the Bond opening. Whether or not a title sequence is basic or elaborate, one thing all creative directors agree on is that outstanding sound design and/or music is key to its overall success. One point, which is key to the Bond title sequence with the lone gun shot, is where the initial sound or music cue comes in. Some films start the sound over the production company credits. Others leave the sound until after the picture portion has begun. Some titles also incorporate the studio in the animation, drawing the audience in even before names of the production companies.

Jon agreed, adding that “Kuntzel + Deygas just found the perfect way to bring that Saul Bass aesthetic into a modern film. This sequence blends perfectly with the cinematic score, where each uplifts the other.”

“Together as a team, we decide which 2-4 concepts we want to develop. Then we work as a team to build pitch elements. Sometimes we pitch to the client as a storyboard sequence. Sometimes we pitch motion tests. (Short, animated examples of 3-4 credits in sequence, complete with music and sound effects to help communicate the idea.) If we win the pitch, we meet up again with the filmmakers to discuss next steps. Often, they simply say, ‘We like concept A, how do you see this panning out across the entire sequence?’ and through the conversation, we figure out what the complete narrative of the sequence may be.

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